François Pompon (May 9th 1855 - May 6th 1933) was a Sculpteur French. He is known for his animalist sculptures, in particular exposed with the Musée of Orsay. Its style is characterized by the lissity and simplification.
It was born with Saulieu, close to Dijon and died in Paris. His/her father was carpenter - cabinetmaker. Pompom was apprentice mason stone at a monumental mason with Dijon. In 1882, it married Berthe Velain. He dies without descent in 1933.
Throughout its life, he was expert for other sculptors of which Dampt in 1885, Antonin Mercié in 1888 and Alexandre Falguière in 1890. He also worked with Auguste Rodin and Camille Claudel of 1890 with 1895. He then assisted Rene de Saint-Marceaux until 1914.
Pompom was interested, like Camille Claudel, in the Far East and particularly admired the Egyptian art and its crowned animals. Its first sculpture was a Lucane (1874).
In 1905, its choice of the simplification of the forms became final for its personal sculptures. It smoothed significant surfaces and disencumbered its animal representations of all ornaments. When the Bear appeared with the Salon of autumn of 1922, work sliced by its modernism on the agitated sculpture inherited the 19th century.
“It is the movement which determines the form, which I tried to return, it is the direction of the movement. With the Botanical garden, I am the animals when they go… What is interesting it is the animal which moves”
“I make the animal with almost all his flounces, and then gradually, I eliminate in order to not preserve more but what is essential”
“When you have a success, lock up you in your workshop and work”
There is a Museum François Pompon with Saulieu. One finds there in particular:
A room is devoted to him to the Musée of the Art schools of Dijon.
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