Film music

See also: BO

The film music (or original soundtrack ) appeared at the same time as the Cinéma. Initially dumb, the producing S had immediately included/understood the need for a support Audio which would accompany and would reinforce the support Vidéo. Generally written especially for the Film, it raises the emotions caused by the Image or by the Dialog S. Certains topics entered annals of the traditional Musique.

Since 1927 and the film the Singer of jazz , the music is integrated into the band its film.

See also: Band its

The bonds between the type-setter of the film music and the realizer are sometimes so strong that their collaborations are regular and that “cinematographic couples” mythical were formed like:

Report/ratio of the music to film

For Igor Stravinski, the music was a “Papier painted” for film; it meant by there that the music was to support the image and the history, but not to take the step. In the musical comedies, on the contrary, the music is often a dominating factor since it is it which guides the rate/rhythm of film: the diction (song) of the actors, their movements, the movements of camera…

The music is often the “poor relation” of film. The realizers and the producers are conscious of his importance, in particular of the emotion which it can cause at the spectator, of the tears associated with the Violon S with the excitation with a jerked music with a saturated sound, while passing by concern, the anguish or the discomfort of a dissonant music . The music is one of the Meaning S of the cinema. But often, it does not form part of the development of film and is ordered on an end of budget, the type-setter having to arrange itself with film already assembled.

In certain cases, the realizer is guided by a music, a song, a piece which it has at the head, and which will be able to form part or not music of film.

Two tendencies in general are distinguished:

  • a music written for film;
  • a using film of the already existing pieces.
The film music becomes a derivative product in general, published under the name of original soundtrack (BO, or BOF for “original soundtrack of film”).

See also: Its diegetic and extradiegetic.

Principal type-setters

Original Sound Track

The English term Original Sound Track (OST) is the equivalent of a French film original soundtrack. The English term is used especially by the amateurs of Japanimation and video games to indicate the band its of a Japanese cartoon or a play. The term Original Sound Track entered such as it is the Japanese lexicon besides (オリジナル. サウンドトラック), like many foreign words.

See too

in Wikipédia

On the Fabric

  • Cinezik.org: Site of reference on the Film music = Topicality, Publications, Type-setters and Interviews, reference marks technical, webradio, forum, etc

  • Film music: The magazine of the French film music (Soundtracks, critics, type-setters, events, forums, etc)
  • best type-setters of film music: principal current type-setters of cinema, with their catalog of films reviewed
  • Bo-Films All the topicality of the film musics. Many film BO in listening (Real Palyer, Windows Media Player, Quick Time, MP3). Information on the type-setters (Biography, catalog of films, Vidéos…).
  • the song of film: Site of the Hall of the Song on the song and the cinema
  • Traxzone: French-speaking magazine on line on the film music
  • ChampcontreChant: site on the film music, bases teaching and chronicles.
  • Original soundtracks: referring site of the BO of films and series.
  • Generic and Boss: Listen to the best BO in streaming audio

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