A fairy (of Latin destiny , destiny, “fact”) is a supernatural creature , resulting from the popular beliefs (Folklore), old Mythologie S or literature Fantastique.
In the modern culture, the fairy is generally described like a female creature humanoïde, having supernatural capacities such as for example the capacity to fly, of launching fates or influencing the future. The lapse of memory and the assimilation of the folklores created a confusion, and end up amalgamating around an identical vision ( fairy Fata ), creatures with the names and the sometimes opposite characteristics, resulting from distinct languages and traditions.
Become prone of the Fantastic literature (then cinema), the fairies also gathers imaginary creatures purely : the fantastic creatures
The modern term “fairy”, was formerly used also like adjective, such “Fe” or “was faé”, in Former French. One used it for example in connection with a wood faé or of a jewel Fe . The adjective then taking the direction “of enchanted”, touched by a magic. One also uses the verb féer , to enchant or be magic. This employment widened the significance of the fairies; they had the gift to launch fates, the enchantments , illusions able to deteriorate the emotions and perceptions, and were thus equipped with the capacity to appear impressive, terrifying or invisible.
Note that in modern French, in addition to a restrictive use as name, fairy has the female kind grammatical, which accentuates certainly the female characteristic sexuée, of a modern vision of the fairy.
But in other Occidental cultures, fairy is translated by a word without bond with the Latin root fata . For example, cultures Irish or Scandinavian, with the roots sidh or alf , resulting from the Gaëlique or the Norrois. One then notes, that the definition of the nature and the role of the fairies is much less restrictive, as much in by the etymology that in the fairy-like folklore.
This comparison of the translations, makes it possible to bring a more total definition while being based on the identical references between the various folklores:
This widened definition of the fairies, then makes it possible to gather around the word " fée" creatures which seem present in all the cultures: The Elf S and Troll S Scandinavians, the Bansheed S Celtic, the Apsara S Indian, the Kitsune S Japanese …
See also: List of the creatures compared with the fairies
In Europe, the folklore transmitted by oral way (songs, tales) let remain of old pagan beliefs , in spite of the dominant influence of the Christianisme and the Modernité. For this reason it is erroneous to classify the fairies, like creatures “Fantastique S”, term related to a literary style (then cinematographic) which reduces the fairies to simple fictions.
The belief in the existence of such supernatural creatures still remains in certain regions of Europe: for example the Scandinavian countries , or the Iceland - where the layout of a highway was deviated, in order to avoid a place inhabited by the fairies.
In France, ethnological studies of post-war period had raised the subsistence of such beliefs, in particular in shift near elderly. The Brittany and the Alsace, because perhaps of a survival of the regional languages, preserved many traces of the Small People, in their oral tradition and them Toponymie.
One can also connect the fairies, with the beliefs animists of the Japan for creatures and spirits of nature, related to mythology Shinto.
In the modern culture, one can also find the proof of the perenniality of these beliefs (or a resurgence) in the worships neo-druidic neo-paganists or .
The other is the distinction between the fairies living “in troop”, and the fairies “solitary”, distinction emitted in particular by William Butler Yeats.
These distinctions are both used to characterize the “fairies”, heard in the direction of all the supernatural creatures; elves, pixies, ogres, trolls… They accentuate the strangeness of the fairies, and differ from a distinction more manichéenne (more modern perhaps), present in the Scandinavian and Scottish folklore, which transposes on the Small People the values of a human morals (Well, Mal), and differentiates them between benevolent” and “malevolent” creatures “.
Katharine Mary Briggs notes that a third distinction can be considered; that of the “domestic” fairies, which live in the human residences.
In the literary tradition, the fairy Mélusine, appearing for example in the Book of Mélusine of Jean of Arras (1392), testifies to the existence of a popular folklore around the fairies, lasting the Middle Ages, perhaps related to old mythologies Celte S.
See also the Fairy Morgane or the Fairy Viviane.
The epic Huon of Bordeaux , then the Romance of Catch draft the portrait of Catch “king de Féerie”.
Very present in the Western literature as from the 17th century, in the Tale S of Charles Perrault, Madam d' Aulnoy or the Brothers Grimm, they are a heritage of the European Folklore whose these tales are a talented transcription.
the mysterious republic: Elves, fauna, fairies and other similar , delivers writes Robert Kirk in 1691, presents the fairies under one day rather worrying: they are invisible and pernicious beings. Published for the first time in 1815, this work had become almost mythical.
The folklore of the Small People agrees with the dashes towards the nature of the literary Romantisme, in tale of fantasies. In France, Charles Nodier publishes Trilby or the imp of Argail (1822) and the Fairy with the crumbs (1832).
Danish Hans Christian Andersen becomes famous for his news and his many “fairy tales”; the Ugly Duckling , the Small Siren , the Queen of snows …
The Dictionnaire Bouillet present them in the following way to us at the 19th century:
like fantastic beings, enjoyed a superhuman capacity, but were subjected sometimes to laws odd and humiliating. Sometimes one represents them under the figure of a woman young, beautiful, covered of splendid clothes; sometimes like a wrinkled old woman and glaze of let us haillons and they are sometimes armed with a Magic wand, instrument of their supernatural power. Without being immortal, they have an existence of several thousands of years. One sought their origin in the faunx or fanie of old, which predicted the future and whose first was Fatua or Fauna, the wife of Faunus; one also makes derive their name (in Italian fata ) from destiny, destiny; but the belief in the fairies rather appears to be attached to the religion of the Druide S and to derive from the veneration that the Gaulois had for the Druidesses. At all events, the fairies played a very-large part with the Middle Ages; they occupy a great place in the tales of chivalry.
Today in Occident, the literature and the Cinema of the fantastic seem the source first of a popular vision of the fairies. Let us quote in particular:
the major influence of drawing-animated Walt Disney
See also the categories Book on the fairies
This fairy is generally described like a creature humanoïde and female. Of variable size, equipped or not with wings (in the back), it always seems to have supernatural capacities, such as for example:
This fairy renvoit with the Guardian creature , those which lean on the cradle of a newborn to bring magic protection and graces, traditional prototype of the fairies “matrons”, as in Sleeping Beauty .
With the Middle Ages, big families, regions even had their protective fairy:
Several writers, Walokenaër, Alfred Maury, in France, Wolf, Schreiber, in Germany, were devoted to erudite research on the fairies. The psychoanalyst Bruno Bettelheim proposed a psychoanalytical version fairy tales.
Charles Perrault and Madam d' Aulnoy wrote for the childhood of the Fairy tales which have as a base of antiques traditions.
the fairy Carabosse, witch (popular tales)
the green fairy : the wormwood.
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