Eugenio Lucas Velázquez

Eugenio Lucas there Padilla, known as Eugenio Lucas Velázquez (born with Madrid on February 9th, 1817 - died in Madrid on September 11th, 1870), was a Spanish painter XIXe century.

Raise Académie San Fernando of Madrid, Eugenio Lucas admired particularly the Art of Diego Velázquez, Murillo and Francisco Goya. If it owes its nickname with the first, it is the last of these great painters which played the most important part in the work of Lucas. It was indeed one of the most talented follower (with Leonardo Alenza) of Goya, of which it had perfectly the fast key and pastings and of which it also shared fascination for the darkest aspects and most antiquated of Iberian civilization, like the Inquisition, banditism or the Tauromachie. Several works of Lucas were allotted besides to Goya.
Its voyages, with the Morocco in particular, influenced its landscapes and its tables orientalistes.
He married a sister of another romantic painter inhabitant of Madrid, Jenaro Pérez Villaamil.
His/her son, Eugenio Lucas there Villaamil (1858-1918), also devoted himself to pictorial art.

Works

Works preserved in Spain

Madrid, Foundation Lázaro Galdiano

Tienta, or the picador on the field (1851)
allegorical Caprice (1852)
a Tower ruins (v. 1854) of it
Autoportrait (v. 1855-1860)
Ébauche for a portrait of the queen Isabelle II (v. 1860)
Pèlerinage with the hermitage of Saint-Isidore (v. 1860)
Jeu of the cape in a village (1861)
Pèlerinage in a hermitage (1861)
Paysage with smugglers (1861)
Contrebandiers in a wood (1861)
the Freedom guided by the Church (1861)
the Maja (v. 1867)
El Adoring
the Sermon with the Moors
In front of the court
the Speech
Majas and monks in a gargote
Money
Crusaders in front of Jerusalem
the Sermon: You are condemned!
rock Paysage with characters
Petits gipsies in ambush
Scène of tavern
Allégorie
Lives the wine! (work allotted to Lucas, about 1880)
Chula (work allotted to Lucas)

Madrid, museum of Prado

Self-portrait (1862)
Hunter (1862)
Condemned by the Enquiry (two hanging, 1862)
Majas to the balcony (1862)
Revolution (1862)

Works preserved in France

Agen, museum of the Art schools

Garrot

Castrate, Musée Goya

Seen of an estuary with fishermen and an imaginary castle (1848)
Extreme oiling (v. 1855-1856)
Diligence under the storm (1856)
Bullfight (v. 1860)
the Shooting (1869)

Lyon, museum of the Art schools

Presentation of the newborn

Paris, Museum of Louvre

Mariano Goya (work allotted to Lucas)
It is what is called lira
Scène of the Enquiry (1851)

External bonds

cards of the tables preserved at Castres;
the site of an exposure of Prado on the satellites of Goya: (in English);
Card of the Self-portrait , one of the many works of Lucas exposed to the Foundation Lázaro Galdiano (in Spanish).

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