The embroidery is a Art of Décoration of the fabric S which consists in adding on a fabric a flat reason or in made wire relief.
One can divide it into three big classes:
the beginners generally prefer a fabric helped to start, because it offers the most regular screen parmis the other fabrics.
the fabrics helped are available several colors, most common being the white and the unbleached one, but they exist also varied colors. Certain marks propose also fabrics pre-printed to carry out the point of crosses, or pre-printed to act basic as embroidery in order to fill white space (small stars, the moons, bear cubs, etc…)
the flax when for him is reserved to the experienced embroiderers, because it offers the least regular screen. It is found mainly brownish color.
For great work , a framework of embroidery will be an asset, maintaining the fabric tended in order to keep a quality and a constant tension.
One can also embroider on standard fabrics , one will help oneself then of a fabric " Car-fils" who reproduces a light screen. One fixes it on fabrics or one sticks it using an adhesive in bomb for fabrics. Once the finished embroidery, one draws on vertical and horizontal wire from the fabric " Car-fils" for extracting some. The embroidery is then regular on a very fine fabric which is clothing.
to embroider the point of cross , one has crushed cotton, generally composed of 6 wire. The cotton wooden door-latches are called leas and comprise 8 meters of wire in general. More than 500 colors are available and certain special effects, like the effect light (brilliant wire) and the effect variation (variation of color along the wire to create an effect) existentent
the principal marks whose DMC and Anchor, they propose a whole wire range and kits to be embroidered, at the point of cross or other.
Of many books and magazines propose diagrams which it is enough to reproduce. The kits contain the diagram, the fabric, wire and the needle. The kits generally do not contain all wire, it is necessary to be provided in additional leas. But at least each color is contained in the kit, in more or less great quantity
There exist two methods:
The embroidery Xiang, one of the most famous craft industries of the province of Hunan, appears among the four famous schools of this artisanal art in China, with the school of Known (Suzhou, province of Jiangsu), that of Yue (province of Guangdong) and that of Shu (province of Sichuan). This form of painting to the needle implies that the two faces are strictly identical from where a completely reversible work. All subtlety is due to art to hide the starting points and other nodes which in normal weather are always more or less visible with the back of the work.
In occident painting with the needle knows a significant renewed interest near the general public. In Paris, the “Lesage house”, heiress of the tradition of French embroidery, teach this technique with the private individuals as well as the school of embroidery " Beautiful arts of the fil" who exempts a vocational training and diplomant.
For the second technique Embroidery Hardanger coming from the Northern Europe.
Today generally on cheesecloth this embroidery is used to decorate small works or more complicated embroideries while exploiting the thickness of wire used.
This embroidery is carried out in white wire on cotton tulle, it is used still today to embroider the caps of the traditional costumes, in particular in Brittany.
In the Renaissance embroidery the supports are simple, in embroidery Richelieu, they are decorated barbs.
The Aari embroidery is practiced with a framework out of wooden, being able to adapt to any length of fabric. This concept of embroidery frame evolved/moved starting from the Indian bed Khatia , still used in the rural regions.
The reasons are traced directly on fabric. They generally organize around a great central figurative reason Nadir Shahi Booti .
The embroidery can be used to learn the symmetry S, the scale S in elementary mathematics of level.
The embroidery is also an object of study for the folklorists and the historians of the Art, who see there one of the identity independent factors of the old provinces since the XIXe century. It is also an object of collection, very required since the beginning of the XXe century.
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