Dorfeuille
Pierre-Philippe-Antoine Gobet , known as Dorfeuille (1745 - 1806), is a actor, a large traveller and a French revolutionist.
After having played Lille in 1768, then with La Rochelle and Poitiers of 1773 with 1775, it is engaged with the Théâtre of the Currency to Brussels this last year. In 1779 it is with Nantes, then it joins Hus and Gaillard to direct the Grand Theater of Bordeaux of 1781 to 1783.
It begins with the Comédie-Française in 1783, then once again in 1789, but without success. Meanwhile it directs troops to $the Hague, Dijon, Ostend and Cambrai. In 1790, Dorfeuille obtains the privilege of the Ambiguous-Comic and the Variety-Amusing. Protected from the duke of Orleans, he is the first tenant of the new room of the Comédie-Française established with the Palais Royal.
Filled with enthusiasm by the Revolution, multiplying patriotic texts and saynètes. Missionary Jacobin, it visits successively the political companies of all the French West (of Brittany in the Basque Country) then those of the Mediterranean South. He puts his talents of actor and dramatic author at the service of his anticlericalism, of his hostility to the aristocracy, his exaltation of the military values of the national volunteers. Itself engages in the army, becomes aide-de-camp of several generals and binds friendship with Dubois-Crancé.
Admiror of Fayette and Mirabeau in 1790-1791, then Of Gironde in 1791-1792, its evolution carries it towards the Montagnards in 1793. Particularly enthusiastic with regard to Marat and of Hébert, this apostle of Nature, the Sun and the Reason takes share to the fight déchristianisatrice, which it prolongs by an assimilation with the Père Duchesne, with the name of which it writes with Roanne.
Recognized by the representatives on mission with Lyon (Albitte, Fouché, Collot d' Herbois especially), it is charged with the Commission of City-Freed popular justice of , then of various missions in the close departments (it ensures, in particular, the control of the munitions factory of Saint-Etienne).
As opposed to what affirm the majority of the biographies, it is not assassinated in 1795: in June 1795, he asks for the authorization of open a national Odéon on the site of old the Th3e4atre Fran1cais (current Théâtre of Odéon), which will open only one month. In 1799 it founds a theater for young actors and publishes, the following year, the Art of the stage performance .
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