Didon and Énée
See also: Didon (homonymy)
Didon and Énée Z. 626 (original title: Dido and Aeneas ) is a opera baroque in three acts writes in spring 1689 by the type-setter English Henry Purcell, on a booklet of Nahum Tate.
From one approximately one hour duration, it was represented for the first time in 1689 with the Boarding School for Girls , with Chelsea, London.
It is the only work of Purcell really considered as an opera, the others ( The Fairy Queen , King Arthur , etc) being rather Semi-opera S or masks intended to be played Théâtre from the presence of récitatifs. The form of Didon and Énée connects it with the Venus and Adonis of John Blow.
Echoing the tradition virgilienne of the Énéide , Didon and Énée is regarded as a chief of work of the Baroque music.
Characters
-
Didon (or Élyssa) (Mezzo-soprano or Soprano), queen of Carthage
- Belinda (Mezzo-soprano or Soprano), its confidante
- Énée (light Baritone or Tenor), Trojan prince
- Magician (Mezzo-soprano or Against-tenor)
- First and second witch, her maidservants (Mezzo-soprano, Against-tenor or Soprano)
- a sailor (Tenor)
- Spirit (Tenor or Soprano)
- Chorus of the subjects court, of the witches and sailors
Synopsis
Act I
-
In Carthage (palate of the Didon queen)
Indeed, the latter is overpowered because she likes in secrecy Énée, prince de Troie and cannot acknowledge its torment under fear to disappoint its people (aria " Ah Belinda I amndt prest with torment" ).
Belinda then suggests in Didon marrying Énée, this last not being insensitive to its charms, more especially as such an alliance would ensure prosperity and peace for the empire.
The courtiers take again in chorus the remarks of Belinda, and Didon, filled, accepts the proposal of Énée and succumbs to the love.
Act II
-
Scene 1: A cave.
It decides to make pass one of its subjects for Mercure, the envoy of the Gods, so that Énée leaves Didon to go to achieve its destiny, to build a new city in Italy.
The witches are delighted by this plan machiavelic in the duet " Goal 'era we this perform" .
-
Scene 2: A forest.
Énée, remained only, sees appearing the lure of the Magician who presses it to leave Carthage. It is then pulled about between its love for Didon and the divine order.
Act III
-
the port of Carthage.
Program
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Movt. 1. Overture
Act I
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Movt. 2. A. Aria, " Shake the cloud from off your brow"
- Movt. 2. B. Chorus, " Banish sorrow, banish care"
- Movt. 3. Aria and Ritornello, " Ah! Belinda, I amndt prest with torment"
- Movt. 4. Duet (dialog), " Objection increases by concealing"
- Movt. 5. Chorus, " When monarchs unite"
- Movt. 6. Trio (dialog), " Whence could so much virtue spring?"
- Movt. 7. Duet and Chorus, " Fear No danger"
- Movt. 8. Trio (dialog), " Royal See, your guest appears"
- Movt. 9. Chorus (dialog), Cupid only throws the dart"
- Movt. 10. Aria, " Yew not for mine"
- Movt. 11. Be a prelude to and Aria, " Pursue thy conquest, love"
- Movt. 12. Chorus, " To the hills and the vales"
- Movt. 13. Dance - The triumphing dance
Act II
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Movt. 14. Be a prelude to and Aria, " Wayward sisters"
- Movt. 15. Chorus, " Harm' S our delight"
- Movt. 16. Aria, " The queen off Carthage, whom we hate"
- Movt. 17 - 20. Chorus and Dialog, " Ho Ho Ho! "
- Movt. 21. Chorus, " In our deep vaulted cell"
- Movt. 22. " Echo dance off the furies"
- Movt. 23. Ritornello
- Movt. 24. has - B. Aria and Chorus, " Thanks to thesis lonesome vales"
- Movt. 24. C. Dance - Gittar ground
- Movt. 25. A. Aria, " Oft she visits this lone mountain"
- Movt. 25. B. Ritornello, " In Dance to entertain Aeneas by Dido' S Women"
- Movt. 26. Aria, " Behold, upon my bended spear"
- Movt. 27. Aria and Chorus, " Haste, haste to town"
- Movt. 28. Duet (dialog), " Stay, Prince"
Act III
-
Movt. 29. Be a prelude to and Aria, " Like away, fellow sailors"
- Movt. 30. Dance - The sailor' S dance
- Movt. 31. Trio (dialog), " See the flags and the streamers curling"
- Movt. 32. Aria, " Our next motion"
- Movt. 33. Chorus, " Destruction' S our delight"
- Movt. 34. Dance - The witches' dance
- Movt. 35. A. Aria, " Your counsel all is urg' D in vain"
- Movt. 35. B. Trio (dialog), " See, madam where the Prince appears"
- Movt. 36. Chorus, " Great minds against themselves conspire"
- Movt. 37. Aria, " Thy hand Belinda, darkness shades me"
- Movt. 38. Ground, Aria and Ritornello, " When I ugly amndt in earth"
- Movt. 39. Chorus, " With drooping wings"
- Movt. 40. Epilog, " All that we know the angels C above"
Partition
The partition was written for String quartet (violin I, violin II, viola and low continuous) and Clavecin. The stress is rather laid on the vocal parts, doubled most of the time by the intruments.
The opening begins adagio then accelerates until allegro allowing the sequence of the first aria, " Shake the cloud" , sung by Belinda.
The pieces of the witches are really remarquables : sung in a nasalized way, they give to the partition a true freshness but also a comic side, far from the image which one has today of the traditional baroque.
In spite of stripped an enough writing, the dramatic intensity is indeed present, in particular in the arias " Ah Belinda" , " Oft she visits" , " Your counsel, all is urg' D in vain" (récitatif) and " When I amndt laid" .
Great outdoors
- "Ah Belinda"
- " Oft she visits"
- " Your counsel, all is urg' D in vain" (récitatif)
- " When I amndt laid"
Discography
Didon and Enée, Herve Niquet and the Concert of sacred music, Glossa, 2001.
Related bonds
External bonds
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Partition of work
- Booklet
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