Since 1940, a remarkable effort of restoration appeared in the field of the Décor S of Théâtre to the Brésil . The presence of Louis Jouvet in 1941 and 1942 contributed to it largely.

They were amateurs who inaugurated this new era and, first of all, the group of the comediantes , created and directed by the painter and scenographer Tomás Santa Rosa (João Pessoa 1909 - New Delhi 1956), one of the decorators most famous. The comediantes began with a new part from a new author, Vestido of noiva ( the Wedding gown ) of Nelson Rodrigues (Recife 1912 - Rio de Janeiro 1980). The part occurs in the brain from an young woman, victim of an accident, which re-examines episodes décousus of its existence. The Mise in scene is entrusted to Zbigniew Ziembinski, refugee Polish who played to him also a notorious part in the movement of restoration, and the delicate problem of the decorations was solved by Santa Rosa in a sober but personal way, by means of a partly mobile construction, been useful by a skilful lighting. This part of 1943 marks the Brazilian theater.

The Brazilian decorators could exert their talent in the so varied fields which re-examined it popular, where the occasion was given to the painter Laszlo Meitner to renovate the style of the soft copy, or the theater for children and the theater of Marionnettes which, towards 1945, started to impassion the intellectual mediums of Rio de Janeiro, and whose achievements were far thorough.

The ballet delivers fields of possibilities to young person with a new generation of decorators, like Anisio Medeiro, Sansão Castello and Nilson Pena inter alia.

It is interesting to point out that it is to the famous painter Candido Portinari that colonel de Casil with required the decorations for Yara , Ballet founded on the Brazilian folklore, subject that Portinari treated with force and imagination.

Bond external

• Tomás Santa Rosa
• Ziembinski