Daniel Propper

Daniel Propper , born with Stockholm in 1969, is a Pianiste Swedish.

Biography

He was born from Swedish mother and father Viennese, then will be French by adoption. In 1994 it settles in Paris from where it carries out an international career of concert performer.

Very young person, Daniel Propper is the pupil of the Swedish pedagog Gunnar Hallhagen and works later with the pianist Tatiana Nikolaïeva. In 1993, it receives the diploma for the occupation of soloist of the royal Conservatoire of music of Stockholm then continues its studies with the Juilliard School of New York before following during two years (1996-98) the cycle of improvement of the Conservatoire higher national of music of Paris. It counts there, among its professors, Bernard Ringeissen, Jacques Rouvier, Bruno Rigutto and Gerard Frémy. It obtained a great number of rewards and price including, in 1990, the most important purse ever granted by the royal Académie of music of Sweden and the first price of the international contest of Kil in Sweden. Daniel Propper interpreted many concertos with orchestra, in particular the concerto n°3 of Rachmaninov with the Symphony orchestra of Stockholm under the direction of Emmanuel Krivine and Rhapsody in Blue of Gershwin with the National orchestra of Ile-de-France directed by Jacques Mercier. In chamber music, he played sides of the violoncellists Emmanuelle Bertrand and Raphaël Perraud, of the pianists No5el Lee and Pascal Amoyel and of the violonist Vinh Pham. It is often requested to accompany by the Scandinavian singers and French in recital by Lieder.

Except its concerts and its participation in festivals in Europe, the United States and Japan, it occurs regularly in Paris and in province as a soloist. He is the guest of prestigious festivals like Piano with the Jacobins, Piano in Valois and gives recitals to the Castle of Lourmarin, Château of Marshal of Saxony, Château of the Glassmaking and with the Abbey of Be worth of Cernay.

Discography

  • Title: 19 Small Parts
Description: Anthology of parts for piano Interpret: Daniel Propper, piano Editor: Propper Förlag Year: 2003
  • Title: Piano Recital

Description: Parts of Chopin, Grieg, Rangström, Poulenc… Interpret: Daniel Propper, piano Editor: Propper Förlag Year: 2000
  • Title: Daniel Propper, piano

Type-setters: Moussorgsky, Prokofiev Interpret: Daniel Propper, piano Editor: Conservatory Higher National of Music of Paris Support: Theater of Saint-Quentin-in-Yveline Context: Promotional disc Year: 1997

Catalog of films

  • Title: the Variations Goldberg by Daniel Propper.
Realizer: Serge Gauthier-Pavlov Compositior: Jean-Sebastien Bach Interpret: Daniel Propper (piano) Collection: Reminiscences Kind: Musical account Production: Natural Arte Viva and Arts Year: 2005
  • Title: 10 Lyric Parts by Daniel Propper.

Realizer: Serge Gauthier-Pavlov Compositior: Edvard Grieg Interpret: Daniel Propper (piano) Collection: Reminiscences Kind: Recital Production: Natural Arte Viva and Arts Year: 2005
  • Title: The Variations Goldberg

Compositior: Jean-Sebastien Bach Interpret: Daniel Propper, piano Realizer: Axel Arno Coproduction: Skarbo, Piano with the Jacobins and Piano in Valois Distributer: Integral Year: 2004

Press

Of Daniel Propper, the press said:

" When its hands flew away, circled, flew with the top of the features virtuosos of two " Hungarian Rhapsodies " of Liszt, the pianist was made magicien" suddenly; (Andre Peyregne/Nice-Morning - December 21st, 2005)

" Piano in Valois makes the happiness of the music lovers (...) During nearly two hours, and with three recalls, Daniel Propper allured the audience, composed music lovers but also curious, happy to décourvrir a genius of the clavier" (free Charente - November 17th, 2005)

" Who is today able to approach the lyric Parts of Grieg of also close, of also true, without burning themselves there or compromising themselves? " (Roland Duclos/the Mountain - June 4th, 2005)

" He interprets Ravel as had seldom heard to us up to now: the Dancing waters literally transported the public by the precision and the smoothness of these cascades of arpeggios… He is really upsetting to see how a young pianist come from North can make us read again and redécouvrir our clean tradition" (Daniel Bourgeois/Newspaper of Aix in Provence - April 2003)

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