Captains of April
Capitaines of April is a film of Maria de Medeiros carried out in 2000.
Synopsis
Captains of April recalls the Révolution of the eyelets which was held the 24 and April 25th 1974 and reversed the Estado Novo created by Salazar and continued by Marcelo Caetano. This film follows various protagonists like the captain Salgueiro Maia (Stefano Accorsi) or Handbook played by (Frederic Pierrot).
Data sheet
Scenario writer:
- * Maria de Medeiros
- * Eve Deforests
- Director of the photography: Michel Abramowicz
- Type-setter: Antonio Victorino d' Almeida
- Assembler: Jacques Witta
- decorator Chief: Agusti Camps Salat
- Costumière: Sabina Daigeler
- Sound engineer: Jerome Thiault
Distribution
-
Maia Stefano Accorsi
- Gervasio Joaquim de Almeida
- Manuel Frederic Pierrot
- Lobao Fele Martinez
- Fonseca Manuel Joao Vieira
- Silva Marcantonio Del Carlo
- Botehlo Emmanuel Salinger
- Rosa Rita Durao
- Gabriel Manuel Manquina
- Daniel Duarte Guimaraes
- Fernandes Manuel Lobao
- Brigadeiro feed Luis Miguel Cintra
- Filipe Joaquim Leitao
- Salieri Canto E Castro
- Rui Gama Rogerio Samora
- Emilio Pedro Hestnes
- Animateur radio operator Marcello Urgeghe
- Paulo Ruivo Jose Airosa
- Technicien radio operator Jose Boavida
- Chamarro Antonio Capelo
- Spinola Ruy de Carvalho
- Caetano Ricardo Feed
- Virgilio Jose Eduardo
- Pedro Peter Michael
- Amelia Raquel Mariano
- Cesario Horacio Santos
- Maria de Medeiros
Rewards
Captains of April was multiple times preceded:
- better film 2000 with the Mostra of Sao Paulo,
- price of the public to the Festival of Arcachon in 2000
- better film and better actress for the Globo of ouro to the Portugal in 2001)
Around film
Maria de Medeiros said: I always imagined the Portuguese Revolution like a film of adventures. Having lengthily consulted his true protagonists, I know that themselves were seen, this day, a little like Hollywood heroes. The cinema drew its subjects in the History much. The Captains of April being so strongly marked by the war, it appeared to me that it was the “film of war” as a kind which I was to explore, from the necessarily different point of view, since female .
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