Bullfight
See also: Bullfight (homonymy)
The bullfight is a form of Bullfight, consistent in a combat at the conclusion which the Taureau is put at death. The bullfight is practiced primarily in Spain, with the Portugal, in the South of the France, in certain states of Latin America (Mexico, Peru, Colombia, Venezuela, Ecuador and Bolivia).
Presentation
The “plays taurins”, possibly the setting with died of the bull in public in the bullfight, are undoubtedly a survival of the sacrifices of animals which were so important in the primitive cultures.
See also: History of the bullfight
In the language running, bullfight nowadays indicates the bullfight such as it is practiced mainly in Spain. During a bullfight, six bulls (most generally) are fought and put at died by Matador S helped of peones and Picador S .
In Portugal, the setting with died in public is in theory prohibited. It is carried out only in some communes, in particular with Barrancos; elsewhere, the setting with death is carried out after the return of the bull to the Toril.
The bullfight is practiced in an “edulcorated” form, without picadors, banderillas and setting with death, in certain States of the the United States, in particular the California and the New Mexico.
Course of a bullfight
The sorteo
See also: Sorteo
The very same day of the bullfight, at midday, takes place the Sorteo , distribution of the bulls between the matadors by a drawing lot. The sorteo is made in the presence of the president of the bullfight and a representative of each of the three matadors. Before the sorteo , the representatives of the matadors inspect the bulls, then they form the batches while trying most equitably to distribute the bulls possible according to their supposed facilities or difficulties. The numbers of the bulls are registered per pairs on small papers (traditionally of the cigarette paper) by the representative of oldest of the matadors; papers are then rolled swell about it by the representative of the youngest matador, then put in the hat of the mayoral covered with a newspaper. Each one then draws a ball by order from seniority, the representative of the oldest matador in first.
Once determined the batch of each matador, it is this one which will decide about exit of the two bulls which were allotted to him.
Until worms the end of the 19th century, it did not have there a sorteo : the order of exit was determined by the stockbreeder himself. The stockbreeders had taken the practice to make leave in fifth position that the bulls of which they thought that it would be the best, from where the saying “No Hay quinto malo” . (“There is not a bad fifth”.) Shine Mazzantini and Antonio Reverte will impose this drawing lot: they showed the stockbreeders to support “Guerrita”.
The apartado
Once the drawing lot carried out, takes place the apartado : the bulls separate from/to each other and are placed one by one in the chiqueros , cells obscure of approximately three meters out of two, in which they wait the hour of the bullfight in order to be able to be released in the arena at the desired time.
has tired cinco of delays
“In Spain, the only thing which starts per hour, it is the bullfight” .
The paseo
See also: Paseo
The bullfight starts with a procession of all the present: the Paseo (or Paseíllo ). To the hour envisaged, the president presents a white handkerchief; with the accents of a Paso doble the procession shakes, preceded by the Alguazil be (or alguacilillos ). To the first rank the three matadors, classified by order of seniority come: on the left (in the direction of walk) oldest, on the right the second of seniority, in the least old medium. If a bullfighter presents for the first time in the “plaza” , it advances naked head, if not it is capped traditional hat the “will assemble” . Behind the peones , also classified by seniority follow, then the picadors, them so classified according to the seniority.
Come then the Arenero S or Monosabio S , employed arenas which have as a function to give in state the track between each bull.
Finally the train comes from Arrastre , attachment of mules charged to trail the skin of the bull out of the arena.
The lidia
See also: Lidia
Then comes the hour from the combat, in Spanish “Lidia” .
A formal bullfight includes/understands in theory the lidia of six bulls. For each one of them, the lidia is held according to immutable protocol. This protocol is broken up into three parts, called tercios .
First tercio : the tercio of spade
Exit of the bull
See also: has carried gayola
After the exit of the bull, the matador, and its peones carries out master keys of hoods , bolt of canvas generally of color outside binds wine and yellow inside, which is used as lure. These first passes of hoods make it possible to the matador to evaluate the behavior of the bull.
To help their matador to evaluate the behavior of the bull, the peones invite this one in turn and attract it towards the various points of the arena, the incentive with going at the end of its load. Then the matador carries out itself some master keys of hoods in order to supplement his study of the bull.
There exists a multitude of master keys of hoods . Most frequent, simplest and generally regarded as most beautiful, is the speedwell (Spanish: Veronica ) in which the bullfighter presents the hoods held with two hands, vis-a-vis the bull, by making a gesture similar to that, according to the traditional imagery, made holy Veronique by essuyant the face of Christ on the way for the Martyrdom. There exists also the half-speedwell (Spanish: media-Veronica ) invented by Juan Belmonte (which claimed one day to have created it “because I had the flemme to make other half” ), the chicuelina (invented by “Chicuelo”), the will gaonera (invented by Rodolfo Gaona), the mariposa (“butterfly”).
Entry of the picadors
See also: Picador, Spade (of the picador)
Formerly, the picador was the principal hero of the bullfight, more awaited bullfighters; the bullfighters with foot were only its assistances. It is only in second half of the 18th century that it started to lose its supremacy, to become in the middle of 19th subordinate of the matador.
The role of the picador is to test the bravery of the bull using its spade, lance out of wooden of 2,60 meters length beech finished by a steel point: the Puya .
In theory, there is applied two spades minimum (it is no maximum), but in the event of weak bull, the president can reduce this number to only one. When by chance, the bull shows an exceptional bravery, an additional spade is sometimes given with the regatón : the picador takes its spade with back, and “pricks” with the end of the handle, the regatón , and not with the puya .
Second tercio : the tercio of banderillas
See also: Banderillas, Banderillero
The second tercio consists in posing the Banderilles (Spanish: banderillas ), sticks of approximately 80 cm length, finished by a Harpoon of 4cm length and covered with paper of color.
The banderillas are generally posed by the peon are , but certain matadors pose them themselves.
In theory, it is posed three pairs of banderillas. However, the president of the race can decide to reduce the number of it; the matador can request from the president the authorization that a fourth is posed.
In the case of a bull frankly " manso" (without bravery), in particular a bull which refused all the pikes and fled the made calls to the cape, the president can decide to make him pose black banderillas, whose harpoon is slightly longer and who are a mark " of infamie".
Third tercio : the tercio of setting to death
The faena of muleta
See also: Faena
The faena of muleta is work with foot of the matador using a red fabric lure, the Muleta . The faena of muleta prepares the bull with death.
At the origin, the faena of muleta was limited to four or five master keys; today, the matador who would make of it if little would start enormous a Bronca . Just like those of hoods , the master keys of muleta are innumerable. The principal ones are the following ones:
- “natural” (Spanish: natural ). The muleta is held in the left hand, the bull charging since the line with the matador.
- the “master key of chest” (Spanish: passed of pecho or quite simply pecho ). The muleta is held in the left hand, the bull charging since the left with the matador.
- the “derechazo” (Spanish word meaning “of the right-hand side”). The muleta is held in the right hand and is increased using the held sword it also in the right hand, the arriving bull of the left of the matador. It is thus, to some extent, “natural with back”.
- the “master key of chest of the right-hand side”. Just as the derechazo is “natural with back”, the master key of chest of the right-hand side is a “master key of chest to back”.
- “helped master keys”. The muleta held in the left hand is supported and increased using the sword held in the right hand. The execution approaches that of the natural one; one can also make helped master keys of chest.
- More still of others: the will bandage (“flag”), the molinete (“winch”), the “orticina” (invented by Pepe Ortiz), the “manoletina” (allotted to “Manolete”), etc
The thrust
See also: Thrust
This tercio ends in the Estocade using the sword.
The descabello
See also: Descabello
Sometimes, after the thrust, the bull is long in collapsing. The matador owes descabellar then: he plants a special sword ( Verdugo ) between the base of cranium and the beginning of the spinal column, at the same place as that where the puntillero will plant its puntilla .
The puntilla
See also: Puntilla, Puntillero
After the thrust (and possibly after the descabello ), the death-blow is given by one of the peones (called Puntillero ) using a Puntilla , dagger with short and broad blade, planted between the base of cranium and the beginning of the dorsal spine, in order to destroy the cerebellum and the beginning of the spinal-cord.
Appreciation of a bullfight by the public
See also: Bronca
Among the elements which will make it possible to evaluate the spectacle one finds traditionally:
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the courage of the man: the matador takes risks (even if the accidents fatal remain very few) and must face without bending an animal whose force is considerable, even if the combat and the picadors weakened - to a certain extent - the bull.
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the bravery of the animal: the fighting bull belongs to a species especially selected for its aggressiveness and its bravery; its load and its will to fight any adversary are appreciated.
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authority of the man on the animal: the Aficionados appreciate the capacity of the matador to dictate his will with the bull by imposing its loads to him and by leading it to follow the lure blindly.
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elegance: the master keys of hoods and of muleta are very codified movements; for the aficionados , their unit constitutes a true work of Article
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effectiveness: a setting with “approximate” death can easily degrade a spectacle in addition carried out well. It should however be specified that, as in good of other fields, the manner counts more than the result. A sincere attempt at thrust, made by respecting the guns, but missed because the point by the sword butted against the scapula, will be applauded; a sword penetrating until the guard following a thrust made in violation of all the principles will be condemned.
Rewards
If they appreciated the service of the matador, the spectators claim with the president whom to him are granted one, even two ears, and even two ears and the tail. With this intention, they must agitate a white handkerchief, but the experiment shows that many spectators (especially in France) are satisfied to shout, whistle or applaud. The president grants an ear, two ears, two ears and the tail by presenting one, two or three white handkerchiefs. The trophies are cut under the monitoring of the alguazil which will give them to the matador after the skin of the bull will have been drawn out of the track. It does not remain any more with the matador but to make a vuelta Al Ruedo : it makes it tower of the track while skirting the barrier and greets the public; the most enthusiastic spectators send to him bouquets of flower, cigars, their hat, their scarf etc the matador keeps the flowers and the cigars, and returns hats, scarves, etc, with their owner.
If no ear were granted, the public will be able however, by its nourished and repeated applause, to ask the matador “to greet with the barrier” (the matador enters in track and greets the public while remaining near the barrier), to greet “with the third” (the matador halfway advances barrier and center of the track), to greet “in the center” (the matador greets while advancing until the center of the track), to even make a “vuelta Al ruedo”.
If the service of the matador were very little appreciated, it can involve a Bronca : the dissatisfied spectators shout, whistle, and it can even happen that some throw bottles on the track. (Such a gesture is largely condemned by the aficionados .) Sometimes the reaction is worse for the matador than strongest of the broncas : silence.
If the bull were exceptionally good, the president will be able to grant to him to him also a vuelta Al ruedo by presenting a blue handkerchief. And if it were more than exceptionally good, the president will be able, before the thrust, to order his grace by presenting an orange handkerchief El indulto.
When the matador finished greeting, it does not remain any more with the president but to leave his white handkerchief in order to order the track entry of the following bull.
At the end of the bullfight, the matadors leave the arena one after the other, by order of seniority. If one of them were particularly brilliant, it will leave has hombros , on the shoulders of its admirors. Perhaps - supreme reward - it will be authorized to leave by the Large Door. With Seville, it must for that have cut three trophies at least (that is to say three ears, or two ears and a tail); for Madrid, two trophies will suffice (being generally allowed that if one second ear inhabitant of Madrid and a second ear sévillane has approximately the same value, the first ear inhabitant of Madrid has some much more than the first ear sévillane); elsewhere, it is according to the serious one of the organization, the standard level and competence of the public, the local habits, etc
Protagonists of the bullfight
The bull
See also: Toro of lidia
The main character of the bullfight is the bull: The bullfight of toros proceeds in a plaza of toros where the bull is killed by a matador of toros .
Current encastes
The toro of combat belongs to the species Bos primigenius F. taurus . It belongs to the subspecies Bos taurus ibericus different from that of the domestic bovines of Europe Bos taurus . This subspecies is divided into several races create by the crossings carried out by the men since centuries. The evolution of the genetics of the toro of combat can be represented as follows:
Bos taurus Ibericus
- Espinosa
- Raso de Portillo
- Navarra-Aragon
- Gallardo-Will pull up
- Vazquez
- Jijon
- Vistahermosa
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Freire
- Vazquez X Vistahermosa (patas blancas)
- Murube
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Will counter
- Urquijo
- Luis da Gama
- Ibarra
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Carvajal
- Pedrajas
- Santa Coloma
- Parladé
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Gamero Civico
- Rincon
- Tamaron
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Atanasio Fernandez
- Lisardo Sanchez
- Nunez
- Domecq
The breeding of the bull
See also: Tienta
At the origin of the bullfight, one is satisfied to go in the breedings to seize the bulls which one can suppose that they are most combative of the herd. As from the 17th century, the selection is done more rigorous: some stockbreeders start to especially select their bulls for the needs for the bullfight.
Today, the bulls are especially selected according to their qualities supposed with the combat and of their body mass (sometimes more than 600 kg, but generally between 480 and 550 kg).
The ganaderías ensure a breeding under conditions of insulation which make it possible to guarantee that the bull which enters the arena seen forever of man to foot (the stockbreeders circulate exclusively with horse or in the vehicle). The objective is to obtain “brave” bulls (what is recognized with the fact that they charge with the smallest provocation: either because the bullfighter encroaches on his ground, or with the call).
In order to obtain sought qualities, the reproductive cows are selected during a test called tienta (or tentadero ): The cow faces a picador provided with a spade whose puya is much smaller than that used in bullfight. If it shows a sufficient “bravery” it is then toréée with the muleta , that is to say by a matador who benefits from the occasion to involve itself. Often, the matador is followed initial bullfighters who try to point out themselves by the professionals present.
Following the tienta , only the best cows will be kept to generate the future combatants.
The sementales (“standards”) are them also selected during a tienta of machos , but only with the picador. No hoods , no muleta is not used.
Each semental sees placing at its disposal about fifteen or a score of cows. The first products will be generally sent in Novillada S without picadors, in order to make it possible the stockbreeder to be as soon as possible indicated on the validity of its choices. If these first products are good, the stockbreeder is reassured: the semental and its cows could be kept definitively. If not…
In the weeks which follow its birth, the calf will be marked with iron: on the buttock, the iron of the breeding; on the side a sequence number; on the shoulder, the last figure of the year of birth. Its birth and its marking will be consigned on a register, true register of civil statue, with the provision of the authorities of the State.
Until its departure for the arena, the bull will live in quasi freedom in the immense meadows: if the latifundia of the past disappeared, the breedings of bulls continue still today to extend on several hundreds, sometimes thousands, of hectares.
Each cow bears a name; traditionally, all its wire will bear the same name, his/her daughters will bear a name in report/ratio. Thus, if a cow is called “Andaluza”, its sons will be called all “Andaluz”, his/her daughters will be called “Andaluza”, “Extremeña”, “Aragonesa”, but also “Sevillana”, “Granadina”, “Cordobesa”, etc
Principal the ganaderías
See also: Ganadería
The bulls are high in Ganadería S (“breedings”). Among the most known ganaderías one can quote:
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Miura : The bulls of this ganadería are generally regarded as most dangerous, most impetuous and most combative (they are also animals traditionally very high on legs what in fact of the adversaries difficult to control). This ganadería is honoured to have given the greatest number of pardoned bulls for their combativeness. Founded in 1849 per Antonio Miura, it belongs still today to Eduardo and Antonio Miura, descendants of the founder. In 1879, the bull of Navarrese race Murciélago (“bat”), ganadería of Joaquín LED Valley, pardoned for its combativeness and was then offered to Antonio Miura. From him go down many bulls of this prestigious breeding. But the most known remainder Catalán elected better bull of the 20th century by the whole of the observers taurins. Another name remains in the memories is that of Islero, person in charge of died of Manolete.
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Victorino Martín : Victorino Martín is most prestigious of the stockbreeders of the end of the 20th century and the beginning of the 21e century; by its selection, and with undoubtedly a little chance, it succeeded in recovering the quality of a herd intended for the slaughter-house: old the albaserrada , of the stockbreeder of the same name.
For the anecdote, let us recall that Ferruccio Lamborghini, founder of the mark éponyme, was a large amateur of bullfight. The badge of the mark Lamborghini thus represents a bull of Miura; a car model Lamborghini (the first car “of series” with central engine) was baptized “Miura”; in 2002 a model was baptized “Murciélago”, of the name of the bull about which he is spoken above.
The stockbreeder is represented during the race by his mayoral (manager or intendant). When the batch of bulls was exceptional, one sees sometimes the mayoral carried has hombros to honor his breeding.
The price of a fighting bull (which includes/understands its transport to the arenas) varies according to the size and the origin, but it is considered that it varies between a few thousands of euros for a Novillo and several tens of thousands of euros for most famous.
The bull in the arena
At the exit of the toril, it is marked currency, cascade of ribbons of various colors, each ganaderia having its own currency.
Principal qualities which one requests from the bull are bravery, the nobility and the caste.
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Bravery: fundamental quality of the fighting bull. Bravery appears by the promptitude of the bull to charge with the least request, by the tireless repetition of its loads, by the abnegation of which it makes proof vis-a-vis the various adversaries which are opposed to him, in particular the picador.
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Nobility: faculty which has the bull to rather charge in straight line than in “zigzag”, by lowering the head. Certain stockbreeders so much sought the nobility with the detriment of any other quality which their bulls become “sosos” (“stupid”) and remove any emotion with the combat about it.
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Caste: this term indicates in the beginning each race of bulls selected for the bullfight. One will say of such breeding that it is of “caste vasqueña” to say that it goes down from bulls raised by the stockbreeder Jose Vasquez, or of “caste vistahermosa” to mean that it goes down from bulls raised by the Count de Vistahermosa. In one second meaning, one will say of a bull that it has of the “caste” to indicate that, generally it has all qualities or almost which one seeks in the bull.
The matador
See also: Matador
The matador is the main thing of the bullfighters: as its name indicates it, it is charged to kill the bull. Its responsibility recovers:
- the master keys of hoods (at the same time as its peones );
- to bring the bull to the horse (at the time of the tercio of spades);
- master keys of muleta ;
- the setting with died by the thrust and possibly the descabello .
Generally, there are six bulls and three matadors per bullfight. Each matador thus fights two bulls: the matador the oldest combat the first and fourth, the second by order of seniority fights the second and fifth, the youngest combat the third and sixth.
Members of the cuadrilla
See also: Cuadrilla
Each matador is assisted by a Cuadrilla , team of “subordinates” to his service.
The peones
See also: Peón
The peones are the assistances of the matador. They assist it at the time of the various phases of the lidia , in particular with the first tercio . Generally, they also pose the banderillas, this is why the term “banderillero” which, strictly speaking indicates that which poses the banderillas, is usually used as synonym of “peón” .
In each cuadrilla there are three peones .
Picadors
The picador applies the spades at the time of the first tercio . Each cuadrilla account two picadors, which officiate in turn.
Other assistants of the matador
The mozo of espada
The mozo of espada (“servant of sword”) assists the matador since the contrepist. It provides him a hoods replacement in the event of tear, tightens the banderillas to him if it poses them itself, will give the sword to him at the end of the faena of muleta . It maintains the material and the bullfighter's costume , deals with the reservations of hotel, yesterday, today plane ticket train tickets when the matador owes toréer the following day in a city moved away, is used as driver, adviser technical, of interpreter, etc
The apoderado
See also: Apoderado
Literally “manager”. It is the equivalent of the business manager in the show business, of the manager in boxing.
The president and his assessors
The president is charged about the place. It orders the beginning of each race, the changes of tercios , the attribution of the trophies. Its decisions are notified using handkerchiefs (white for the change of tercio and the attribution of the trophies, red to order the installation of black banderillas, orange for gracier the bull, green to order its change, blue to grant to him a vuelta Al ruedo ).
In Spain, it is a police superintendent, appointed by the official authorities. In France, according to the payment of the Union of the French taurines cities (UVTF), it is indicated by the mayor of the commune; most generally, it will be selected among the presidents of the local clubs taurins.
It is assisted of two assessors. In Spain, they are indicated by the authorities of the State, as the president. It is however possible to appoint as assessor a reprocessed matador. In Andalusia, since April 1st, 2006, can also be named assessors of the “manifestly qualified aficionados ”.
The alguazil
See also: Alguazil
The Alguazil be (or alguacilillos ) are the “police officers” of the place. Two, they ravel paseo at the head. Under the orders of the president, they take care of the respect of the payment by all the actors. If necessary, they also give the trophies to the matador.
Personnel of the arena
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the areneros are charged to give the track in state after each bull.
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the men in red, one often calls them Monosabio S , term which means “erudite monkeys”: towards 1847, the areneros of the arenas of Madrid had been equipped with a uniform to which many spectators found a resemblance to that of a troop of erudite monkeys which occurred then in the Spanish capital. They are charged to help the picador and the horse in track.
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the mulilleros are the people in charge of the attachment of mules evacuating the carcass in end of the road.
Music
See also: Paso doble
The Paso doble and its “tacatchac tacatchac” that Igor Stravinski of passage to Madrid listened fascinated its hotel room, are inseparable from the bullfight. The music accompanies the paseo and makes have patience the public between two bulls. It underlines a faena muleta which starts to reach the tops of quality, as well as the installation of the banderillas when it is made by the matador himself. It accompanies sometimes the installation by the banderillas by a peón when, during the installation of a preceding pair, this peón was particularly brilliant. Lastly, when the picador pricks with the regatón , generally this additional spade is done in music.
To make play the music in the course of faena of muleta is already a reward. The order to play is given by the president (except in Seville where it is the leader which decides); often part of the public the advertisement by shouting “ música, música ”.
Principal “tubes”:
- España Cani ,
- Cielo Andaluz ,
- Paquito Chocolatero ,
- ,
- Nerva (and its solo of trumpet to the hearing of which, in the arenas of Seville, “Paquirri” one day stopped of toréer for better listening had),
- Vino Griego ,
- Without forgetting the air of the toreador of Carmen (“Toreador, take ga-have-have-ardeu… ”) which, thanks to Georges Bizet accompanies the paseo in almost totality by the arenas of the south-east of France.
The hastened
It is the organizer of the bullfight, that which engages the matadors, buys the bulls, and hopes to garner the benefit.
In the largest arenas, the hastened is a private company. Some hastened are owners of the arenas (in Spain, Barcelona, Saint-Sebastien, Logroño, inter alia), others are tenants of the arenas which belong to the local government agencies (Arles, Nimes, Madrid, Valence) or to the private ones (in France in particular Béziers where the arenas belong to a public limit company; in Spain, in particular Seville where the arenas belong to a brotherhood militaro-nun, the Real Maestranza de Caballería ).
In other arenas, it is an emanation of the town hall: municipal control in France or similar organization in Spain. It is the case in particular in France of Bayonne or Dax.
In the smallest arenas, where the benefit are more random, the hastened is generally a Association law of 1901 (or equivalent in Spain).
Public
The public is varied. Traditionally, the spectators in two main categories are classified: “toreristas” and “toristas” .
The toreristas would be primarily attracted by the art of the matador, his address, the elegance of its master keys. Such an amount of worse if its art is exerted only in front of often weak bulls, even too weak, and of a nobility which plank the “soseria” (“stupidity”), so much worse so too often the spectacle is not with go, so much the bull is non-existent.
The toristas would be primarily attracted by the spectacle of the bull showing its bravery, especially vis-a-vis the picador. They would appreciate only the matadors who emphasize the bull, reveal its qualities and its defects. Such an amount of worse so very often, the spectacle is not with go, the too difficult bulls being, even impossible with toréer; such an amount of worse if the matadors who face this kind of bulls are often condemned to do it because of the insufficiency of their talent.
For these two principal categories, it is necessary to primarily add the recognizable “turistas” to the fact that they speak English, German, Italian, Dutch, or French with the “pointed” accent. To note however that number of English, Germans or Parisian are aficionados very experts, whereas number of Spaniards or Southerners who go to the bullfight only one time the year, in their city, are undoubtedly “casi-turistas” .
More
In the good place
See also: Arenas
In the beginning, the bullfights took place on public places, closed by barriers or carts. These arenas of fortune still exist, in particular with Ciudad Rodrigo, in the Province of Salamanque. In Madrid, they were held on the Plaza Mayor
Starting from the middle of the 18th century one starts to build plazas of toros (“places of bulls”, in French “Arènes”), dedicated especially to the bullfights. The oldest arenas still in activity are those of Seville, open in 1761; then those come from Ronda open in 1786. The plaza of Mow Were windy in Madrid was open in 1931.
In France, one organizes bullfights in the Roman amphitheaters of Frejus, Arles and Nimes. Elsewhere, they are modern arenas, built on the Spanish model.
In assigned time
The time assigned to the matador to put at dead the bull is limited: it is fixed in theory at fifteen minutes. Five minutes before the end of the prescribed time the president makes deliver the “first opinion” by a ringing of trumpet. Three minutes after the first opinion, “second opinion”. Two minutes later the “third opinion sounds”: the matador must withdraw himself behind the barrier, the bull is brought back to the toril where it will be cut down. To let sound the three opinions is regarded as the worst shame which a matador can know.
Why fifteen minutes? It is often marked that beyond this duration bull includes/understands that its true adversary is not muleta but man which holds the muleta (the bull does not perceive the colors and the movements in the same way only the man, which allows during a time to delude it), this is why he must be killed before he realizes of the subterfuge.
Others think that it that all the bulls included/understood the subterfuge at the end of fifteen minutes, and estimate that would have to be authorized a matador is abusive to think to prolong the spectacle if this last realizes that the bull puts more than one fifteen minutes to be included/understood. The latter also think that if the matador estimates himself more extremely than the bull, even after this one, it started to include/understand should be authorized to show it.
One can also observe that the fifteen minutes are not respected everywhere in the same way, and that the calculation does not start everywhere at the same time.
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Formerly in Spain and France, the fifteen minutes were deducted starting from the first master key of muleta . Since 1991, they are it as from the moment or the president gives the order to change tercio .
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In Mexico, the opinions are deducted starting from the first attempt at thrust. The matador thus lays out, not of fifteen minutes, but of an unlimited time until the first attempt at thrust, then seven minutes as from this first test. This specificity is not due to the bulls them-even, indeed, many Mexican breedings were recently made up starting from imported bulls of Spain; in many bullfights organized in Mexico, the bulls are Spanish.
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In Andalusia, since April 1st, 2006, the first opinion is in theory sounded ten minutes after the change of tercio , like everywhere else in Spain or France. But if the matador less tries a thrust than eight minutes after the first master key of muleta , the first opinion is sounded two minutes after this first attempt at thrust. The president must thus have two stop watches: one which it launches when it makes sound the change of tercio to deduct the ten minutes, the other which it launches at the time of the first master key of muleta to deduct the eight minutes. In Andalusia, an attempt at thrust would thus accelerate the speed of training of the bull. And it rule is the same one as the bull is Andalusian, Castilian or Portuguese. And everywhere else in Spain like in France, only one stop watch remains necessary, whether the bull is Andalusian, Castilian or Portuguese.
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According to the quality of the service of the matador, the president will be able to adapt to his suitability the ten minutes. If the service of the matador does not like the public, many spectators will shout “sloop, sloop” , and chair it will not wait until six hundred seconds were passed to make sound the ten minutes. In the same way, if the service likes the public, the president will be able to leave the matador a few minutes more.
Another explanation is sometimes advanced: the fifteen minutes limit would oblige the matador to shine by privileging the quality of its master keys. This explanation is not however either satisfactory, insofar as there remains completely possible for a matador to connect in less than ten minutes a big number of master keys of very poor quality. Contrary, the admirors of “Gitanillo de Triana”, matador of the Twenties, supported that their idol stopped time.
If el tiempo No lo impide
Like all the spectacles proceeding in the open air, the course of the bullfight depends to some extent of the weather. The rain in oneself is not awkward; only a too violent rain, transforming the track into mud ocean, can prevent the bullfight from taking place. Besides accustomed Bilbao know the usual drizzle of the capital of the Biscay; as for accustomed of Arles, he undoubtedly remember this fifth bull of El Sierro fought by Roberto Domínguez to beginning of the year 90, under a true flood.
The wind is much more awkward: making be agitated inopportunely hoods and muletas , it can make difficult even almost impossible the normal course of the bullfight. When the wind remains moderate, the matadors weigh down the bottom of the muleta : they sprinkle it water then let it trail on sand.
In Spain, the mention “if el tiempo No lo impide” (“if time does not prevent it”) figure generally on the posters. Perhaps the development of the covered arenas - in particular Saragossa partially covered, Holy Sebastien and completely closed Logroño - will make a day useless this mention.
Idiot el permiso of mow autoridades
Where that it is, the bullfight answers a strict regulation. In Spain, the mention “Idiot el permiso of mow autoridades” (“with the permission of the authorities”) figure besides on the posters.
In Spain
Before 1917, there does not exist any true regulation of the bullfight, each city, each arena has its usual own rules. In fact, these rules are very close from/to each other, the Andalusian arenas generally imitating the practices in force in Seville, the others generally imitating the practices in force in Madrid, Madrid and Seville being inspired mutually.A law of 1917 creates a single payment for all Spain. In 1962, this payment is entirely redesigned. In 1991, the law Corcuera (of the name of the Minister of Interior Department) redesigns the payment again.
The development of the autonomy of the autonomous communities their transferred the regulation as regards bullfighting in particular. In fact, in almost all the communities, the law Corcuera remains in force, only Andalusia having, since April 1st, 2006, a particular payment but differing from the law Corcuera only on points of detail.
In France
The law Grammont
See also: Law Grammont
Until the end of the 19th century, according to some, the law of July 2nd, 1850 known as Law Grammont condemning the maltreatment to the animals, was applicable to the bullfights; according to others, it was not it. The courts and the prefects had for a long time various opinions on the subject. Certain prefects prohibited them, others authorized them; organizers and matadors were not systematically continued in front of the court; when they were continued, sometimes they were punished of a door amends, sometimes they were released. It was enough to change prefect or that a magistrate changes court so that the practice changes radically. One saw for this period of the bullfights organized a little everywhere in France; there even was in Le Havre and Roubaix.
At the beginning of the 20th century, the Court of appeal judged good once for all that the law Grammont applied to the bullfights. Consequently, the practice was established in an astonishing way:
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In certain zones, there was very little will to organize bullfights. When by chance, somebody wanted to organize one of them, the prefect prohibited it systematically and prohibition was respected. And if, by extraordinary, the bullfight took place nevertheless, organizers and matadors found themselves in front of the magistrates' court which condemned them to a fine. In these places, the bullfight completely disappeared, without never to have been able to be really established.
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In other zones, many bullfights were organized; the prefects almost never prohibited them; when by chance it came to the prefect the idea to prohibit it, the bullfight almost always took place in spite of prohibition; generally, nobody assigned the contraveners in front of the court; when there was lawsuit, the culprits were condemned to sorrows symbolic systems. In these places, the bullfight thus continued to exist in spite of the law Grammont.
The Minister for Justice could obviously require parquet floors which they continue systematically, that they ask at the time of the lawsuit an “exemplary” sorrow. But let us recall that, if the prosecutors are under the orders of the Minister for Justice, the judges are independent.
To put an end to this ambiguous situation, the legislator thus adopted a pragmatic position:
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When the bullfights do not exist under the terms of any local tradition, that their organization the tastes of a broad part of the population for these spectacles, being only financial transactions assembled by skilful tradesmen which speculate in the fashion and the attraction of the innovation, they do not aim at satisfying continue to be prohibited.
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When the bullfights exist under the terms of local traditions, that their organization a request for a broad part of the local population which has taste there, they answer then are expressly authorized.
In 1951, a subparagraph was added to the law Grammont: “the provisions of this article are not applicable to the bullfights when an uninterrupted tradition can be called upon. ” This subparagraph was supplemented in 1959: the tradition must be “local and uninterrupted. ”
The law remains vague concerning the places where the bullfight became legal: “when a local tradition…” , and not: “in the departments in which a local tradition…” or “in the communes in which a local tradition…” ; or: “in the departments of X, Y, Z…” or “in the communes of X, there, Z…” .
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Si of the bullfights is organized only in places in which nobody disputes the existence of a “uninterrupted tradition local” , this absence of any dispute is the demonstration that they all are organized inside the “borders”.
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Si of the bullfights is organized in places in which a dispute rises, the court will be charged to define, on a case-by-case basis, if one is in on this side or beyond the “border”, gradually making it possible to delimit this one.
In this famous third subparagraph, the “local” term is prone to interpretation: according to the opponents with the bullfights, this term would return to “locality”, therefore with “commune”. The bullfight would be thus legal only in the communes in which a tradition can be called upon.
Many lawsuits were brought with organizers of bullfights, the first with the Grau-of-King (Gard). Besides the courts judged that the “local” term returns to a “place”, not with a given administrative unit, nothing not making it possible to say if this administrative unit must be the commune or the department, the canton or the district. They thus judged that the “place” was a “demographic unit” having a community of history, habits, of lifestyle whose limits do not coincide with administrative limits. Any commune being inside this “demographic unit” can thus be prevailed of the existence of the “tradition”, when well even, on its territory, no bullfight would never have been organized.
The “uninterrupted” term is him also is prone to interpretation: the duration of the interruption necessary so that one cannot consider the tradition more as uninterrupted is prone to polemic.
With Bordeaux and neighborhood, bullfights were organized in a regular way until 1962. The outdatedness of the arenas of Bordeaux having constrained the prefect to prohibit the organization of spectacles there, it did not thus have bullfights in Bordeaux region more there. In 1988, the town of Floirac, bordering on Bordeaux organized bullfights. The Court of Appeal of Bordeaux judged that it not organization of bullfights for one so long length of time is it, did not suffice for it “to only stop” the tradition, when this absence of organization is due to an external fact. According to this jurisprudence, “to stop” the tradition it is necessary:
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either that an evolution of manners, the manner of living, etc, involves the disaffection of the local population with respect to the bullfight, so that these spectacles cease being organized;
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either that the absence of organization of bullfights involves an evolution of manners, the manner of living, etc, of the local population, which ends up having as a consequence the disaffection of the local population with respect to this spectacle.
Since, stops of the Court of Appeal of Toulouse (April 3rd, 2000) and Court of appeal (February 7th, 2006) came to confirm this jurisprudence.
The payment of the Union of the French taurines cities
In France, the only regulation existing in connection with the bullfight prohibits it by principle and authorizes it only by exception. No law similar to the law Corcuera exists. Certain associations claim the creation of a “French federation of bullfight” to the image of the sporting federations. It seems not very probable that such a federation can be born. Any written regulation can thus only be of municipal origin.
During a long time, one in France, applied coutumièrement the Spanish payment. In 1972, the Union of the French taurines cities (UVTF) established a payment very largely inspired of the payment Spanish and invited its members to make it compulsory on their territory, by local by-law. All did not do it, but in these communes, as in the taurines communes which are not members of the UVTF, this payment is applied coutumièrement.
In Portugal
In Portugal, the setting with died in public is in practice prohibited since the middle of the 18th century, and formally and was definitively prohibited by a law of 1928, under the mode of the dictator Salazar. In spite of prohibition, it continued to be practiced in some communes, in particular with Barrancos, village of the Alentejo near to the Spanish border. A law of 2000 authorized the settings with died in public in the communes in which they continued to be practiced.
The alternative
See also: Alternate (bullfight)
The alternative is the ceremony during which the Novillero becomes matador of toros .
If the alternative were taken elsewhere than in Madrid, when the new matador comes for the first time in the Spanish capital, it must “confirm it” during a ceremony identical to that of the alternative. It is the same in Mexico, for the matadors not having taken the alternative to Mexico City….
The apodo
See also: Apodo
Many matadors carry a pseudonym, in Spanish “apodo” , thus, El Cordobés (the Cordovan), Gordito (“a Little large but not too”), “Manolete” (“Small Handbook”) El Estudiante (“the Student”), El Gallo (“the Cock”).
The brindis
See also: Brindis
The matador can make a “brindis” , to dedicate his combat to such person whom he wants to honor. He advances in his direction, arrived at the barrier he holds a more or less long speech to him and more or less agreed, then sends its to him will assemble (“hat”). The honoured person will return it to him at the end of the combat.
Sometimes, the matador makes the brindis “with the public”: he goes in the center of the track, then made a full rotation on itself, holding its will go up to end of arm. Then it négligemment throws it over its shoulder and does not have any more but to advance towards the bull. If the will assemble fall to the place, it is good sign; if it falls to back, it is bad sign, as, sometimes the matador the installation delicately on the ground, in order to be sure as it is in the good sense.
The vault
In all the arenas or almost exists a vault allowing the bullfighters who wish it outward journey to collect themselves before the bullfight.
The chief of lidia
See also: Chief of lidia
Oldest of the matadors jefe is called lidia , “chief of lidia ”. That is not only one honorary title: if another matador would be wounded, the chief of lidia would have the load of his bull.
The escalafón
See also: Escalafón
The escalafón is the classification of the matadors, according to the number of bullfights in which it are taken part and the number of killed bulls, ex-aequo being decided between by the number of ears and cut tails.
The bullfighter's costume
See also: Bullfighter's costume
The behavior of the bullfighters is called “bullfighter's costume”, translation - too - literal of Spanish “traje of luces” . A better translation would be “dress of spangles”, because if “luz” means “light”, “luces” which is the plural of “luz” results by “lights” but also in “spangles”. In the expression “traje of luces” , the word “luces” is in fact employed in this second meaning.
The red color
“Children here the oxen which pass, hide your reds aprons” (Victor Hugo, the legend of the nun )
According to an generally accepted idea, the bull sinks on what is red, which explains the color of the muleta . In fact, the bovines do not distinguish the colors; for them, red vermilion, Prussian blue or green bottle are only nuances of gray. Actually, the bull charges what moves. The matador thus agitates his muleta while remaining itself as motionless as possible, which starts the load of the bull on the muleta and not on the man.
Ironically, the irritation of the bull against the red color seems a prejudice Anthropologique, because of recent studies show that the man, is indeed excited for him by the red color.
The superstition
Certain footballers always thread their shoes in the same order, “because that their door happiness”, believe that to play with the white shirt rather than blue increases the chances of victories, etc; in the automobile races, it there forever of car number 13; the Friday the 13th sees assembling out of arrow the horse bets or the Lotto; do few people like to pass under a scale? Consequently, it would be astonishing that the bullfight escapes the superstitions. The principal ones are the following ones.
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Before the preparing of the matador, his clothing is always posed on a chair, never on the bed: that carries misfortune. The most current explanation is that the clothing extended on a bed points out a corpse extended on the bed of death.
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One never should “test” clothing of a matador, to see with what one resembles, that also carries misfortune. To thread clothing of the matador would point out the division of his businesses which its heirs will make after his death. When a matador brinde the bull with a spectator and thus entrusts his will assemble to the honoured person, it is not necessary especially that this person is posed it on the head!
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In theory, the matadors never use bullfighter's costume of yellow color: that carries misfortune. The yellow would point out the color of a corpse. According to another explanation, time when the capital punishment still existed in Spain, condemned was carried out by Garrot; during the execution, condemned was covered with a kind of yellow Strait jacket of color. Yellow clothing would be thus that of condemned to death. There exists a third explanation: this superstition would go back to the death in scene of an actor of theater vêtu of a yellow costume.
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to be noted concerning clothing: certain matadors, in particular Shine Francisco Esplá, use sometimes yellow clothes. Absence of superstition or taste of the provocation? With regard to the alicantin Esplá, this second explanation is perhaps the good one: another famous alicantin, “Manzanares” always had the reputation to fear over all the yellow color, so much so that some of its detractors put on a yellow shirt systematically when they were to attend a bullfight in which it took part. Is this a chance? At the time of the rare bullfights in which took part together both alicantins, Esplá always put on a yellow dress.
Toreador?
See also: Toreador
Many aficionados believes that the word “ toreador ” is bad a espagnolade invented by Prosper Mérimée. In fact, this term existed in Spanish before Mérimée, and appointed the bullfighters with horse of before the 18th century. Bad the espagnolade is thus not the word itself, but its use with misinterpretation: that made more than three centuries that there is no more toreadors . That which, nowadays combat the bull, which it is with feet or horse, is a “bullfighter”: matador, peón , banderillero , picador or rejoneador , all are “bullfighters”. That of the bullfighters who kills the bull after having fought it with feet is a “matador”.
Notorious matadors
See also: List of matadors
At the beginning of XXIe century, approximately two hundred and fifty to three hundred matadors compose each year the escalafón . The appeared (“high-speed motorboats”) make until a hundred bullfights in the year, much do only one or two of them.
Martyrologe
See also: List of the matadors died in the arena
The bullfight is surely not the riskiest human activity: the majority of the matadors reaches the retirement age. Its martyrologe is however already provided: fifty-five matadors killed in the arena, for which it is necessary to add a hundred and eleven novilleros, fifty-nine picadors and a hundred and twenty banderilleros.
Where and when to attend bullfights
More than thousand five hundred bullfights are organized in France and Spain, to which are added the Latin-American bullfights, it in several hundreds of arenas. To know the principal arenas and the dates on which they organize bullfights, one can click on this bond.
Polemic on the bullfight
See also: Critical of the bullfight
The bullfight attracts a public many. At the same time, it is a spectacle particularly décrié; it starts passions, as well at its amateurs as at its adversaries. It is obviously impossible to find a position median which would satisfy everyone. It is nevertheless possible to expose the reproaches which the ones make him and the answers that the others make with these reproaches.
Other forms of bullfights
The bullfight of rejón
See also: Bullfight of rejón
Practiced everywhere where the bullfight with foot is practiced, it is the bullfight with horse. The bull is fought by a rider, the rejoneador . Its unfolding is similar to that of the bullfight to foot.
The “Portuguese race” or “Portuguese bullfight” (in Portuguese tourada )
See also: Portuguese Race
In Portugal, the setting with died in public is prohibited in fact since the 17th century, in right since 1928; moreover, the picador is also prohibited. So the bullfight with foot is only marginal there, the bullfight with horse constituting the essence of the Portuguese bullfighting. This one is similar to its counterpart Spanish, which it inspired besides (See above the chapter “History of the bullfight”). In both cases, the setting with death is replaced by the pega carried out by the forcados , the bull being cut down after its return to the toril.
The acoso there derribo
(Of the verbs “acosar” and “derribar” , “to continue” and “to reverse”). Consistent play for two riders to continue a young bull in the fields and to reverse it by pushing it of the end of a pole. This play was in the beginning a form of tienta of macho , which explains why one practices it near the remainder of the herd. After its fall, the bull can, is to charge the riders which caused it, that is to say to join the remainder of the herd, which makes it possible to evaluate its combativeness.
The race camarguaise
See also: Race camarguaise
There it is a question of a consistent sport for the Raseteur S to try to take down a rosette hung between the two horns of the bull, then two hung nipples each one with a horn, finally two strings, surrounding each one one of the horns.
This sport is practiced in France, in the departments of the Rhone delta, the Gard, the Herault and in some communes of the Département of Vaucluse. It is governed by the French federation of the race camarguaise whose seat is in Nimes.
It should be noted that they are bulls here camargais (the " Camargue" or " raço di biòu"), in opposition to the Spanish bulls. The Camargue bull is smaller (between 300 and 450kg for the males), more highly-strung person and rapid that his/her Spanish cousin, and its horns are in the shape of quadrant.
The race landaise
See also: Race landaise
It is a consistent sport for the “spacers” or the “jumpers” to defy a cow and to make jumps above or of the variations to its passage.
This sport is practiced in France, in the departments of the Landes (from where its name) and of the Gers. It is governed by the French federation of the race landaise whose seat is with Saint-Pierre-of-Mount (Moors).
The race of recortadores
See also: Race of recortadores
The race of recortadores is a sport practiced primarily in the north of Spain (Navarre, Aragon, Castille-León, Basque Country, autonomous Communauté of Valence and autonomous community of Murcie). One can regard it as a survival of the bullfighting of before Francisco Montes.
The comic toreo or “charlotade” (Spanish: toreo comico or charlotada )
See also: comic Toreo
The comic toreo, form of bullfighting appreciably fallen today in disuse, knew one big hit until in the Sixties. They are parodies of bullfights in which the bullfighters devote themselves to all the eccentricities in front of calves. Often the bullfighters are dwarves. One also saw some troops of toreo comic using monkeys bullfighters.
At the exit of “a true” bullfight, one intends sometimes spectators to exclaim “It was the charlotade! ” The bullfight to which they have just assisted had undoubtedly reached degree zero of quality.
The toro-swimming pool
Play into force primarily in the South of France, consisting in releasing a young cow camarguaise or landaise with the horns emboulées in the arena. Those which want it deliver to plays: statue (the competitors must remain upright on a barrel, gaining it being the last to remain on its barrel), part of charts (the competitors must sit down on the barrels by forming a square, as if they played charts), the toro-ball (that resembles the field hockey, except that the sticks are replaced by brushes), etc In the middle of the track, is a swimming pool made with a wall of balls of straw and a tight cover; the top consists in inserting the young cow in the swimming pool; the last word consists in entering there at the same time as the cow! Gaining premiums touch, in order to give a stake.
At the exit of a bullfight, one hears sometimes spectators exclaim “It was the toro-swimming pool”. Undoubtedly they attended the same bullfight as those for which it was a charlotade.
Lâchers of bulls in the streets
In many cities and villages of Spain and South of France, at the time of the local festivals, take place of the lâchers of bulls in the streets. These lâchers can be regarded as a survival of the old bullfighting and takes innumerable forms and local alternatives. The principal ones are the following ones.
The encierro
See also: Encierro
Encierro is a Spanish term meaning literally “enfermement”. With the direction first, this word indicates the fact of locking up the bulls with the Corral are , course generally contiguous to the arenas, in which they will be kept until the day of the bullfight.
In a second direction, it indicates the batch of bulls intended for the bullfight. “For such bullfight, the encierro is of Victoriano del Río” thus means “For such bullfight, the batch of bulls comes from the breeding of Victoriano del Río”.
In certain towns of Spain, the corrales are not contiguous to the arenas, so that the bulls must be brought the very same day bullfight there; they are accompanied by cabestros , oxen drawn up with this use. In a third direction, the encierro is thus the way carried out by the bulls, since the corrales to the arenas. Those which want of it thus benefit to go down in the street, on the way of the encierro , and make the course from it in front of (or behind for the least bold!) bulls. Today, in these cities, the encierro is not thus made for questions of need (the few hectometers which separate the corrales from the arenas could just as easily be carried out in the truck), but becomes an aim in itself any more. Most famous of the encierros are those of Pampelune, at the time of the festivals of San Fermín (from July 7th to 14th), but many villages of the north of Spain have the also spectacular ones and médiatisés.
In the cities and villages of the Rhone delta, Gard and Herault, the encierros are in fact of the lâchers of bulls of the Camargue in a street closed at its two ends by carts and barriers, or on a public place of which the accesses are closed same manner.
The abrivado
See also: Abrivado
Word of Provence meaning “arrived”. Formerly the bulls which took part in the races camarguaises made the way with feet, accompanied by the Gardian S. In the crossings by villages, the young people of the country tried to make them escape for then having fun with. In order to limit the risks to see their bulls escaping to them, the gardians thus made them cross the village to the gallop, at the highest possible speed.
Today, the abrivado are organized especially. The streets are barred by barriers great height in order to prevent the bulls from escaping in open country, the gardians make pretense prevent the atrapaïre (“attrapeurs” into of Provence) from making escape the bull, the atrapaïre compete of address and temerity. It is even organized contests of abrivado , several stockbreeders taking part in it and being judged on the number of bulls that they bring back to the fold.
To note: Abrivado is a female word; like all the provençaux words, it is invariable in the plural. One thus writes “a abrivado, abrivado”. As for the pronunciation of O final, it is about a dull vowel, like O final in Italian, Spanish or Portuguese. If you usually speak one about these three languages, pronounce the O of abrivado as in Pesaro , Toledo or Ronaldo . If you are neither italophone, neither Spanish-speaking, nor Portuguese-speaking, the least bad method will consist in making as if the last letter were an E dumb and to pronounce abrivade .
The bandido
Word of Provence. The bandido was formerly the return of the bulls since the arenas after the race, and gave place to the same attempts by the young people of the country to make them escape. Today, it is a form of lâchers of bulls analog to the encierro . According to the local practices, all the lâchers will be called encierros , or all will be called bandido , or finally, according to whether it is in such street or on such place, one will use one or the other term.
The formation of plural and the pronunciation of O final call the same remarks as for abrivado .
The jallikattu
It is about a tradition of the south of the known India also under the name of Manju Virattu (drives out with the bull). It is practiced in the State of the Tamil Nadu, at the time of the festival of the Pongal, and consists in releasing one or more bulls on a place where men try to control the animal with naked hands. This ritual constitutes the attraction of the third feastday and the stake of bets.
See too
Internal bonds
bullfight- Combat of queens
- animal Wellbeing
- protective Company of the animals
External bonds
Sites of information taurine
In French
- Corrida.tv
- Campos there Ruedos
- the Echo of the callejón
- images-corridas.net - Photographs
- El Tico
- Site of the traditions taurines, photographs and vidéos
- the school taurine of Nimes
- Toreria.net
- Toros2000
- Toros there fotos
- Site of the review '' Terres taurines ''
- Reports vidéos on the site of Aquitanian FR3
- Reports vidéos on the site of Southern FR3
- Alliance for the suppression of the bullfights
- International Movement Anti Bullfights
- Committee Radically Anti-Bullfight
In Spanish
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Advance Taurino
- Burladerodos
- Jose Moral Antonio LED
- Mundotoro
- Noticias Taurinas
- Portal Taurino
- Revista 6Toros6
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