Bruno Comparetti

Bruno Comparetti is free-sicilian. He studies the song with Barcelona near the Spanish tenor Edouardo Gimenez who teaches to him the art of the Bel canto as well as the technique of song inherited his friend and professor the Spanish tenor Alfredo Kraus.

He began his career in 1999 with the opera from Angers in the role of Almaviva in the Barber of Seville of Rossini, role which he will take again in 2000 with the Concertgebouw of Amsterdam.

Among the stages of its career, let us quote Ernesto in Don Pasquale with the national Opéra of Lyon under the direction of maestro Maurizio Benini like with the Opera of Freiburg. He sings in the productions of Otello of Verdi (to dir. Ivan Fischer), Werther of Massenet to with dimensions of Beatrice Uria-Monzon (put in scene of Willy Decker) with the national Opera of Lyon, the Postilion of Lonjumeau to the Opera of Dijon for the bicentenary of the birth of Adolphe Adam. The titles roles in Haÿdée (Auber), and in Charles VI (Halévy) to dir. Miquel Ortega with the imperial Theater of Compiegne.

At the beginning of 2006, it is engaged with the Opéra Bastille to sing the main role in the repetitions of the opera Juliette of Martinů.

It has just gained a great success in Tybalt in Romeo and Juliette (put in scene by Jean-Christophe Mast) with the Opera of Turns.

Bruno Comparetti occurred at the beginning of September 2007 with the Opéra of Marseilles for the world creation of Marius and Fanny composed by Vladimir Cosma; he sings the role of Mr. Brun to with dimensions of Roberto Alagna, Angela Gheorghiu and Jean-Philippe Laffont.

In December 2007, it is engaged for the opening of the season 2008 in Liverpool (European Capital 2008) by the company sponsored by the leader Kent Nagano/Opera European Center for the production of Emilia di Liverpool , opera ignored of Gaetano Donizetti.

Among its recordings, let us quote the DVD of Haÿdée (Auber) as well as CD of Charles VI of Halévy.

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