Boys

the Boys ( Notte faced ) is a film free - Italy N carried out by Mauro Bolognini and left in 1959.

Synopsis

In Rome, Scintillone and Ruggeretto, two marginal and désœuvrés boys, a car and its loading fly. They decide to leave in outer suburbs to run out their spoils (in particular of the weapons) and, not to draw the attention of the police force, they take two prostitutes like momentary. In way, they meet Bella Bleated, another idler, likely to help them to resell their goods…

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  • Terzieff, a disconcerting boy - Mylène Demongeot: Mauro Bolognini requires of me to take part, for a sketch, three days of turning, with its film the Boys . In high-speed motorboat, Laurent Terzieff and Jean-Claude Brialy side men, Elsa Martinelli and Antonella Lualdi for the ladies… Each one has its private press attaché and seems hardly to like much the other, which is rather folk to observe… My sketch is a duet with Terzieff, and my God who it is beautiful in these years! The personified Slavic charm. For the first and single time of my life, I crack completely for my partner with whom, for all to arrange, I do not have that a long scene of meeting in love!
    Je cracks, but Bolognini cracked, him also…
    Ça excites it to look at us us étreindre, then, the monster, it makes us start again the same plans interminably… Ten catches, fifteen catches. We roll ourselves on the ground by kissing us voluptueusement, with mouth which you want… I cannot about it any more, I am a faithful woman and I want to be some to be also disturbed! The evening, when I return, I cry and I will sleep all alone. Coste is not very content - I understand it -, but I refuse absolutely that it comes on the plate. Would miss more than that! It is the first time that arrives to me…
    Et the following day, one gives that… Three days of torment!
    Quand I re-examine this film in black and white where, frankly, I am marvelously photographed, I am really beautiful and the sensuality which emerges from this scene is not can, not, not! In Paris, we will be re-examined for the doubling of our Italian scene. The translation is very bad, does not correspond of nothing so that we said… (Yes, yes, there was text all the same!) Therefore, we decide to find on our movements of mouth our true text and let us arrive there we very well. It is rather amusing to make. I arrange my first disorder of woman married in a well closed key drawer, but it is, still today, a very pretty memory which preserved all its magic… Nothing, nothing, it occurred anything of which we can be ashamed.

Distinctions

  • 1960 : Price FIPRESCI - decreed Money Ribbon with Pier Paolo Pasolini for the best original history by the Italian National union of the journalists of cinema.

External bonds

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