Bottle Rocket

Bottle Rocket , left in 1996, is an American film of Wes Anderson.

Synopsis

Anthony, Dignan and Bob are three young adults decided to become burglars. They are not made for that, but can one prohibit people from following their dream?

Data sheet

  • Title: Bottle Rocket
  • Year: 1996
  • Music: Mark Mothersbaugh
  • Images: Robert D. Yeoman
  • Assembly: David Moritz
  • Artistic director: Jerry Fleming
  • Lasted: 92 minutes
  • Format: 1.85: 1 - its Dolby SR/SDDS
  • Languages: English, Spanish

Distribution

  • Luke Wilson: Anthony Adams
  • Owen Wilson: Dignan
  • Ned Dowd : Dr. Nichols
  • Shea Fowler: Grace
  • Halley Miller: Bernice
  • Robert Musgrave: Bob Mapplethorpe
  • Andrew Wilson: John Mapplethorpe (known as “Future Man”)
  • Brian Tenenbaum: H. Clay Murchison
  • Jenni Tooley: Stacy Sinclair
  • Temple Nash: Temple
  • Dipak Pallana: Employee of the library
  • Darryl Cox: Director of the library
  • Stephen Dignan: Rob
  • Lumi Cavazos : Inez
  • Julie Mayfield: A woman in a room of the motel
  • Gift Philips Jr.: A man in the hotel room
  • Anna Cifuentes: Carmen
  • Donny Caicedo: Rocky
  • Melinda Renna : Anita
  • Richard Reyes: a man in the bar
  • Julio Cedillo: a man outside the bar
  • Teddy Wilson: Hector Mapplethorpe
  • Jim Lay: Applejack
  • James Caan: Abe Henry (Mr Henry)
  • Tak Kubota: Rowboat
  • KUMAR Pallana: KUMAR
  • Haskell Craver: Jackson
  • Jill Parker-Jones: The director of the motel
  • Nena Smarz: good a

Around film

Bottle Rocket (1994) is initially a Short-measuring in black and white and with the band its jazzy carried out by Wes Anderson, which is then completely autodidact. The feature film reiterates the main part of the scenes of short-measuring, like its characters (incarnated by the same actors). The feature film is produced and distributed by Columbia Pictures. The “Screen test” proved to be most catastrophic of the history of Columbia. The film left despite everything, without returning in its expenses but profiting despite everything good criticisms. Wes Anderson approaches there already the topics which one finds in Rushmore , the Family Tenenbaum and the aquatic life , the vague relationship between the state of child and that of adult, in particular.

External bond

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