Biographical film

A biographical film , also known in the film enthusiast medium under the Anglicism biopic (contraction of “biographical picture” ), is a tographic work Cinéma of Fiction centered on the biographical description of a main character having really existed. The events and the environment of its time are thus subordinated to its account.

The kind became popular particularly since the Années 1980 thanks to progress of the techniques of imagery making possible the reconstitution of landscapes and urban areas of time credible for the spectator.

Hero of the History and roles of stars

A biopic reports the existence of a character passed, most of the time, but without that being obligatory, an historical figure of importance. Its choice is essential to cause the frequentation at the time of the exit into the room. As it is about an artistic work, the representation gives the free field to interpretation at the same time for the actor in charge of the main role and the realizer in the lighting which he gives on the character: the occasion is given to differ from the consensus left by the Discours Officiel and the Historiographie in connection with the covered subject. On the other hand, the realizers inspired by a cause frequently let themselves go to opposite excess, that to give a hagiographic image by idealizing the subject; it is at the very least the reading which can give the film critics.

The kind biopic is in addition integrated perfectly into the insofar as the choice of the actor who incarnates the character is him also factor of adulation for the masses and causes entries: one will see as much a biopic for the character that for the interprête which plays it, the relation of identification benefitting with the career from this last and his image near the public. For this reason, one thus needs particularly gifted actors and who do not have any more an evidence to give to incarnate roles with the antipodes of the heroes of the History: a rising star would not be risked there for considerations careerists.

Titles éponymes

The title of film is all selected while taking that of the name of the character. However, it would be quite reducing to affirm that to go to see a biopic is reduced to follow a biography: the provided matter is pretext with the choice of an intrigue being focused at the most determining time of its life, those which inserted it in the History in the majority of the cases, which allows the development of the Climax and the characteristics of successful films: development of the human dimension of the protagonist projected on events, that a biographical summary eclipses, even introduction of a thesis on the destiny of the character starting from a enigma that new elements of files would have made it possible to reveal.

In other cases, the title of film is not that of the protagonist, though the film is clearly a biopic since seen since the subjective glance of this protagonist. It is the case of JFK of Oliver Stone, treating assassination of president Kennedy through the investigation carried out by the judge Jim Garrison retrospectively with the Commission Warren: the spectator perceives the phases of doubts of the judge of the Orleans News and the advance of his professional reflection on the bases of the Right to the wire of his investigation revealing that a counting rhyme was been used for the American people, leading it to reconsider the facts and to bring an legal action against a Establishment presented like tyrannical and antidemocratic by his crispations Militariste S at the end of film.

A generalized kind

Largely identified like type of film appreciated of the public, the biopic gathers today a broad spectrum of the world cinema, associating Blockbuster S such Alexandre Large the like the return on characters much more modest taking into consideration “national” account: the quotation of Sophie Scholl, whose exit agrees with a reflection in progress in Germany over the darkest period of its History, contributes to feed the debate by giving noncollusives popular figures amalgam between the German people and the Nazi regime, amalgamates for which it been necessary years before it grows blurred with leaving the ruins of 1945.

See too

List biographical films

See films in the category: biographical Film

References

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