Autobusiaque movement

The autobusiaque Mouvement indicates at the same time a literary novel mode of creation - which appears in the expression poetic and theatrical - and a libertarian philosophy. It is in 1966 that Micberth creates the autobusiaque Movement, which was to be especially known by spectacles written and put in scene by itself; those, also named “ releases autobusiaques ”, which were often regarded as experiments aiming at carrying out a total art, seem especially today ludic works of individual psychotherapy being held in public, of the moments of verbal and gestural improvisation, of the acts of real release to be it, for all to say like the esthetic company most ambitious which is: with knowing, the substitution of the life, in its dynamics and its gasoline, with the traditional theatrical art. (The academic Gerard Lecha studied this new type of cultural expression in a report of control entitled: Micberth or the theater in question).

But the significance of the autobusiaque Movement is not reduced to that; the creators who assert their membership of this tendency do not satisfy to be the “agents” of these spectacles, they endeavor to put their life harmonizes some with the options retained and stated by Micberth: the rejection of conditioning socio-policy, primarily middle-class, of the time, which leads to a reification of the existence - anti-life - and the total achievement to be it. This deeply libertarian aspiration preceded the rising of the youth of spring and the summer 1968 (May 68).

See

Autobusiaque 00 , free Editions Creation, 1983.
Micberth and the theater in question with the releases autobusiaques. by Gerard Licked, LMBO Universis, Paris 1992.
the Romanticism today , texts joined together by Daniel Leuwers, Samuel Tastet editor, Paris 2005.

Random links: