Antoine Tisné

Antoine Tisné , Type-setter French, was born with Lourdes the November 29th 1932 and died in Paris in 1998.

Antoine Tisné began his musical studies with the Academy of Tarbes. He entered to CNSM of Paris in 1952 in class of musical writing.

He was then raises of Georges Hugon in harmony and No5el Gallon and Jean Rivier in Running away and Counterpoint, then had as Masters Darius Milhaud and André Jolivet. He gained a Second Large Prix of Rome in 1962.

Principal inspector of the music to the ministry for the cultural Affairs between 1967 and 1992, then inspector of the music charged with the municipal academies of the Town of Paris, Antoine Tisné composed more than three hundred works going of the parts for instrument solo with the symphony orchestra. Its works are recorded in France (MFA, REM, Calliope), in the United States, in Denmark and elsewhere. He was Officier of the National order of the Merit, Officier of the Arts and the Letters and was decorated with the academic Palmes.

He obtained, inter alia rewards, the Price of the Foundation Copley, the Price Halphen, the Price Lili Boulanger, the Price of the Foundation Koussevitsky, the Price Casa of Velázquez, the musical Grand Prix of the Town of Paris, the Price of the type-setters of SACEM.

The work of Antoine Tisné is that of humanistic for which the procedures of compositions are only one tool intended as well as possible to restore explorations of its imaginary without never being in oneself the essential generator of made up works. New technologies, if it can appreciate them, do not enter its diagram of thought like substitute deliberated on the inspiration or as alternate with a musical speech of which it likes that it is impresses of spirituality. The work of Antoine Tisné is resolutely expressive and does not have no need to be, at the time of its interpretation, followed even preceded by explanatory comments.

One enters the universe of Tisné like one enters that of a painter or more still perhaps that of an architect by his space dimension and his quasi-telluric energy. Antoine Tisné is a musician of spaces. These spaces or these fields are unaware of vacuity; they are charged, spiritually, affectivement, historically, that they are real or purely oneiric, if as well is as one can define in this expansion the solution of continuity between reality and the unreal one. But its world is also ours.

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