Andrea Boscoli

Andrea Boscoli (Florence, ~1560 - 1607) is an Italian painter of the school florentine exposed to the Offices.

Biography

Raise Santi di Tito around 1575 qu ' it imitates so that much its works were allotted to him.

Its first known works are two silver circular dishes of a Triomphe of Bacchus (Weimar) and a Silène (Uffizi), gone back to 1582.

About the years 1580, it achieves a study trip to Rome, as testify some to the pen-and-ink drawings and the watercolours of old statues and works of Polidoro da Caravaggio. He are allotted, of this time, the fabrics of It trionfo di Mardocheo (County Museum of Los Angeles) and of the Nozze di Cana (Uffizi), where the figures point out Santi di Tito and the taste of the invaluable details of the circle mannerist of the painters médicéens.

In 1587, one owes him the frescos of the church San Pier Maggiore of Florence, a Martirio di San Bartolomeo with his transparent colors and his coloured shades.

From 1592-1593, the frescos of the Villa di Corliano have Bagni di Pisa (Holy Thermal baths Julien) are financed to him by the family della Seta Gaetani Bocca .

In 1593, it paints the Annonciation church of Carmel of Pisa and the frescos, partially destroyed in 1944, in church of San Matteo; during this stay it draws in Camposanto of Pisa some of the frescos of Benozzo Gozzoli; some of its work, drawn from works of Corrège, to Gambara, Titien and Muziano, testify to its voyages to Parma, with Genoa, Venice and Reggio of Emilie.

In 1596, it paints the Miracle of Saint Nicolas in the church florentine San-Lorenzo-with-Pinks and the Visitation in that of Sant' Ambrogio, which recalls the retable éponyme Pontormo to Carignano, translated into version of the Counter-Reformation, by the devotion supported of the characters.

About 1600, it works in the Steps where it with the mishap to be marked of espionage and imprisoned; in the monastery of San Luca di Fabriano it produces its masterpieces, a Annonciation , a Madone and saints , a Natività preserved today at the local art gallery, it paints with fresco the vault of Brefotrofio. In the tradition mannerist of the area resulting from the Zuccari and Barocci its art becomes a painting made up and harmonious by the richness of its light and its color.

Follow the Circumcision of the Duomo di Fermo , the frescos (destroyed) of the church Santa Maria Piccinina, the Madone and the saints preserved at the Art gallery of Macerata and the Crucifixion of the parish of Carassi, which points out the pathetic mannerist of Lillo.

It turns over to Florence in 1606 and dies at the beginning of 1607.

Works

It trionfo di Mardocheo (Triumph of Mardochée), Museum of art of the county of Los Angeles
Martirio di San Bartomeo , Florence, Gallery florentine, fresco transferred on fabric, (1587)
the nozze di Cana , Birth of the Virgin - Pyrame and Thisbé - Holy Sebastien with the Offices of Florence
Convito degli Dei , Pisa, villa di Corliano (1592)
Year , Pisa, chiesa LED Dyes with carmine, (1593)
San Francesco in estasi , Pisa, Museo nazionale di San Matteo,
It miracolo di San Nicola , Florence, chiesa di San Lorenzo Al Pink (1596)
Visitazione , Florence, chiesa di San Ambrogio (1596)
Year - Natività and Madonna E santi , art gallery of Fabriano
the Madonna idiot the cintola E I santi Tommaso, Lorenzo E Francesco , art gallery of Macerata (1604)
Crocefissione parish of Carassi

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